Some people are born British. Others achieve British-ness. Still others…well, I would be one of those.
You see: I have just had British-ness thrust upon me. I am
an American who has just ten days ago settled in Cornwall. Settled. Why in Cornwall?
My wife, who is most definitely of the born-British variety, had, after the birth of our second child,
wanted to be nearer to her family in the UK. Honestly, though, I think it
had less to do with family and more to do with Doc Martin, of which she had
been watching a lot just recently.
I basically do whatever my wife says. Don’t ask. Some of you
might not need to. As an artist, my wife reasoned, life would be sweet for me
in an artistic haven like Penzance. She had been offered a job there
already. She would earn the bread and
butter until I had re-established myself. So we changed countries. Just like that.
My wife works in…let’s not give too much away, but rest
assured that it is perfectly legal…oh, let’s just say “economics”…and had been
painstakingly cultivating her prospective Cornish employers from the US via
Skype, and with great success, too.
The job offer had been made, so we signed a lease on a
lovely cottage, site unseen, one with plenty of space for my things (I have a
lot…I am an American after all, and a painter, as you know by now), these
things for which we would have to wait from four to six weeks to arrive. But we did not care about that. Living like vagabonds out of suitcases for a
month would be sort of fun, knowing that we, in fact, were anything but
vagabonds. Kim had a job; she would
support us until I had established myself in the area and begun generating
income. Penzance looked rosy and gorgeously
inviting. Things appeared to have fallen neatly into place for us.
Or so we believed. You
know, you can plan and plan and be very careful, and things can still go
horribly awry. So, just ten days ago, I
struggled out of my Vauxhall Astra with my peppy four year-old daughter, groggy
nine month-old son, ecstatic wife (whose months will not be revealed) and
beleaguered cat (whose months vary, depending upon whether or not you count
them in cat or human) to find myself in the
most beautiful countryside I have ever seen outside of a Peter Jackson film. I
half-expected elves or hobbits to step out of the foliage to welcome us. The scenery had been so breath-takingly
lovely on the drive out that my wife and I had quickly run out of adjectives to
describe it, endlessly murmuring the same, tired “beautiful!” We could not help ourselves.
We had arrived. The very day we signed the lease for the
cottage and occupied it, that very day, my wife drove off to find a stronger
signal for her mobile phone. I remained
in the cottage with my children and asked my daughter:
“Do you know who lives here in this cottage?”
“We do, Daddy.”
“Where are we going to live tomorrow?”
“In this house, Daddy.”
“Where are we going to live the day after that?”
“Here, Daddy.”
“And the day after that?”
“In this house, Daddy.”
“Do you like this house?”
“Yes, Daddy!”
And I believe she meant it.
A few moments after that, my wife returned, stepped out of
the car, pale and upset, and announced that she had gotten a voicemail from her
employers, who, having rethought their own ability to pay out a new salary, had
changed their minds and dissolved her position. How they came to this decision
so late in the game is a mystery to us.
Nevertheless, in an instant, the friendly fairyland of Penzance
was changed into a bleak, alien, and threatening place. We were in shock. We could not even have
squeezed back into the car and headed for home at that point, even if we had
wanted to; we had signed a lease and made the payments.
Take the zed out of Penzance
and what do you get? Our first
twenty-four hours here.
We were devastated, and we agonized over whether it would be
better to cut our losses and look for a new place to live closer to London, where finding
employment would be easier, or to stay here and hope for something to
materialize. And no gradual entry for
me, the artist. I would have to find
something immediately, too.
Yet, there was something about this part of the country
which truly made us want to stay. So, after a full day of panic and gnashing of
teeth, we decided to gird our loins, to remain in Penzance,
and try to make a life for ourselves here in spite of this harrowing beginning.
OMG! I do hope this has a happy ending!
ReplyDeleteLooking at your pen and ink work I can't help but be impressed at how you copied your drawings from J. Scott Williams and T.S. Sullivant.
ReplyDeleteHello, Anonymous. Thanks for visiting my blog. Regarding your comments about Sullivant and Williams: T.S. Sullivant has long been a favorite of mine, but I am totally unfamiliar with Williams. My favorite pen and ink draftsman has always been Charles Dana Gibson; look him up if you don't know him. I love him so much I named my daughter after him.
DeleteWhen you say I "copied" Sullivant and Williams, do you mean that my style is similar to theirs, or that I actually copied drawings they have done and used them for my blog?
Hope to hear back,
Cameron
Hi Cameron! This is Aubrey Corriveau, I love reading about your time in the UK, I hope everything is going better for you and your family. I am looking forward to reading more because I heard you had moved but now I can actually read what you are experiencing and I think its really cute that your little girl is gaining a British accent. :)
ReplyDelete